Thursday, 13 August 2015

Interview with Maddy Rogers Photography

I have been friends with Maddy for what feels like forever as Maddy's photography was some of the earliest work I discovered when I was considering what kind of photography I wanted to pursue.

As well as running her successful photography studio, Maddy also works alongside fellow newborn photographer Shellie Wall providing training workshops up and down the country (visit website)

Maddy is a regular buyer of my props and I always know she will make anything she buys look exactly how I had imagined it when I was sat in my workroom making them.  And like me, she embraces colour and is not afraid to use vibrant and bold colours in some of her work.


Do you have a favourite colour you look for when choosing props? 
Not really. l tend to either have a prop l want to match something with, or realise l dont have a certain colour when trying a set up in a session. As it turns out, l do have favourite colours, but l only know this by looking at what l’ve bought on a whim over the years. l love lilacs and purples, yellow, and l’m known for my bright colours generally. My favourite is green though.

Are there any colours you tend to avoid in your sessions?
lt depends on the baby. A jaundiced baby looks terrible on yellow, so l wouldn’t use anything in that colour range. lt's the same if baby is very pink…..l’d avoid all pinks. On the flip side to that, l would use colours that are opposite on the spectrum to counter those skin tones. l find blue/greens are fab for pretty much any skin.


Do you prefer one kind of prop over another?
l think that changes a lot, according to styles and trends. We all love a cute bonnet, and l do love rompers at the moment, but perhaps a good wrap is up there with its versatility.


Bonnet by me

How many times would you use the same prop before consigning it to the back of your prop stash?
That depends on how much l like it and how well l photograph it. l have one headband l have had since l started, but most are used a lot when l get them, and then when l get new ones, THEY become flavour of the month.

Tieback by me

Quilt by me

How important is the price of a prop to you?
Very…but….l have spent silly money on items l really liked. l have an idea in my head regarding what l consider reasonable for an item. So for a headband l’d not go over around £8, unless it was something special. £30 for a good romper is about my limit…or around £10 for a hat.

Crowns by me

What do you look for when buying props?
Golden rule for me is that it must be photographed in use, and used well. That shows that the maker has access to a good photographer, which for me means they’ve got an inside track on what will work, and its been used by someone who knows props. Headbands and hats are different…seeing them displayed nicely is ok, but if baby wears an item, like a romper or pants set, l want to see it fits a baby properly.


What has been your best bargain?
l think my favourite was from you (me : yay!). A pink romper with lace front. l use it a lot. lt's because the fabric and style is similar to others l’d seen that l felt were dreadfully over priced, but that l loved. Then yours appeared and l was one happy lady.

Quilt, romper and tieback by me

And what prop did you spend the most money on?
l look at a US seller of wooden props and once a year do a bulk buy if l like anything and l can’t get it here. That works out very expensive, but l do a joint order with someone else which helps on shipping. l’ve spent £60 on a romper set once….but l just fell in love with it.


Can we see some photos of your prop storage area and studio?





Do you have any tips on using props in photography?
The photo is the baby. The prop is just that, so l don't think it should dominate the image. Think about how it looks when baby is wearing it in a certain position too. l often see hats that don’t fit properly when baby is laying down, or its too big when baby’s head is upright, like head on wrists, for example. And please put headbands on properly. l think it looks sloppy when they’re just rested on baby, or not on straight.


Hats by me

How do you decide what props you are going to use in each session? Do you have setups already in place or do you chat with your clients beforehand?
Usually it's simply based on what l have that's new and l’m itching to use. So a new hat will dictate the colours l use. l have basics of around 6 set ups ready for a session, but that often changes when l either see baby’s skin tone, or they’re too big for something l have, or half way through a session l don't think it's safe for that baby to be placed in a container perhaps. Sometimes l don't use fiddly props l planned to use if baby is a bit jumpy or not sleepy enough too. l always ask the parents if they like the colours l’ve chosen, and if there's any favourites they have in mind, so that can change things too.




What is your absolute most favourite image in your portfolio and why?
Oh thats SO hard!! My favourites change all the time, based on so many things. l have two from this year that spring to mind. The black and white one is just because l love the simplicity, and the light. Baby is so squishy, and l’m pleased with how it works. 



The purple one is just because it all works for me. But then l’ll do another session that just works, and l’ll have new favourite images. l always raise the bar with myself too, so when l know l’ve done something l couldn’t have done a year ago, l’m over the moon, and so that session represents that milestone.


As a newborn trainer, what advice would you give to someone just starting out in the area of newborn photography
Training. Good training will teach you what you need, and what you dont. But in the meantime, you need a good, wide beanbag. You need a simple but good quality boy set and girl set, but the absolute best thing to do is concentrate on building confidence with the baby. Don’t think that its cute props that make you good. lt's not. They enhance, and can define your style, but what makes you good is confidence in soothing and handling, and quality simple posing. Master those areas first, then add props. l see people slap all sorts of poor quality props on a badly posed baby thinking its ok. lt's really not. When you know you’re good at the basics, you will shop more cleverly for props that enhance your work, not drown it.



Tiebacks and bonnet by me

Which photographers influence you? Whose work do you love?
l used to be able to name just a couple, but there are so many now. l love Trina at Honeypie Photography for her rustic tones, natural feel, and her colours. Captured by Claudia for her colours too. Erin Tole for her posing and creaminess. Shellie Wall for her use of props and her crisp images and Rob Mank for his lighting skills.


Thank you Maddy, and here's to being able carry on sending you many more props!


To see more of Maddy's work, visit her website here, her facebook page here and her  and Shellie's workshop information can be found here

Wednesday, 12 August 2015

Christmas Photography Setup Ideas and Inspiration

Christmas is an excellent time of year for photographers with studios to pull in clients by offering mini-sessions.

Don't have a studio?  Hire a local village hall for the day and advertise locally.

You don't have to spend a fortune to produce some fun Christmas images that you can then sell to your clients as Christmas cards for example.

For this session, I purchased some red and white stripy leggings from ebay, used my flokati rug and some white fairy lights - with a white cable - and shot at about F3.5 to get the lights out of focus.




Achieve this look with my backdrop design WHITEFLOOR02 (here)



Using the same set up for this older child. I made a knitted hat, and hung some plastic baubles from my own collection at home onto a twiggy branch and added some christmas present decorations.  You could easily wrap some empty boxes in plain wrapping paper with ribbon to co-ordinate with your set.

When using christmas decorations, choose ones that have a matt, fabric or glitter finish to avoid reflections of studio lighting equipment.  Also make sure they are non-breakable in case little ones decide to throw them or place in their mouth etc.


For this image during the same session, I quickly added a plain paper backdrop with some plastic candy canes glued in place and let the child have some to hold and play with.


For this mini session I sellotaped my lights to my backdrop instead of having them in a pile on the floor and switched the knitted hat for some fun reindeer antlers!

If you don't want to use fairy lights, you could use one of my bokeh backdrops instead





For this image of Father Christmas giving the child a decoration, I cut the end off a cheap Santa hat from a pound shop and then asked mum to wear it as a sleeve!  You could do this with 2 hats and then have Santa give the child a present instead.




I knew at some point I was going to have to photograph babies that couldn't sit as part of my mini sessions, so I took some sky coloured background paper and made this backdrop from wadding material, buttons and black fabric, glued everything in place and shot overhead.  


I can't remember where I got the plastic snowflakes from, but if you can't find anything similar, glue some cotton wool balls for snowflakes, or make some the old fashioned way out of folded paper!


Those are just some of my own images from mini sessions I held, but to give you even more ideas and inspiration, I have created a Pinterest Board here

Please also look at my album of Christmas Backdrop Designs to get even more ideas! here

Not sure how to price a mini session?  Read my blog post here


Sunday, 9 August 2015

How To Make A Father Christmas Bucket Photography Prop

Following on from my Christmas Chimney Prop Tutorial (here) this tutorial shows you how to make a Father Christmas bucket - perfect for posing a newborn baby in.




You will need

(1) Plastic plant pot large enough to place a newborn baby in - this cost me £3 from a cheap High Street shop
(2) Brown or black leather belt - I picked this up in a charity shop for 50p
(3) White faux fur - this was actually the most expensive item and I purchased 1/2 metre
(4) Double sided tape
(5) Scissors
(6) Hot glue gun or glue strong enough to stick to plastic

(7) Red crepe paper (you could use tissue paper but crepe paper is sturdier) - I needed to use 2 packs



Step 1


Place double sided tape intermittently around the top,  bottom and underside of your pot.  This will make things easier as you adhere your crepe paper.


Step 2


Most crepe paper comes folded like this.  Cut one edge to remove one folded edge.


This will leave you with strips of folded crepe paper with only one folded edge.


Step 3


Begin to place your folded strips of crepe paper around your pot.  Use the double sided tape to hold each strip in place while you add glue to place the next strip on top.




Try to dribble the glue onto your paper rather than dragging your glue gun / glue nozzle across the surface as this can cause the crepe paper to tear.  Take it nice and slowly with each strip


Step 4


When you've added your paper all the way round your pot, apply double sided tape all the way round the rim


Step 5


Apply the faux fur around the rim and glue the overlap at the back.


Make sure you leave enough fabric going down inside the pot.


Step 6


Unless you have got an extra long belt, cut your belt in half at the back.


Step 7

Apply double sided tape along the back of the belt.  I preferred to do it this way rather than using glue as I wanted to be sure to get the belt in exactly the right place and glue may have dried too much.





If you're struggling to pull of the backing paper without removing all of the tape, tear the backing in the middle rather than trying to lift at the corners



Step 8


Apply the belt around the middle of the pot!
Stand back and admire your handywork!


Place something heavy in the base of your pot and always photograph babies in buckets using the composite method.  Baby should be touched at all times with the finger removed in Photoshop.




I hope you enjoy this tutorial and perhaps have a go at making one for your photography studio - if I can do it, you definitely can!  Please show me any images you take!

Wednesday, 5 August 2015

How To Make A Christmas Chimney Photography Prop

I've written this tutorial in plenty of time for you to find yourself the perfect cardboard box to use as your Christmas Chimney Prop!

Great fun to place older babies inside a brick chimney with a Santa hat on during your Christmas photoshoot session!





You will need

(1) Square cardboard box large enough for a child to sit in
(2) Brick print wallpaper - I got my roll for £5 from a large DIY store
(3) Scissors
(4) Double sided tape and a hot glue gun or PVA glue
(5) Dark fabric - I happened to have a dark brown beanbag blanket that I no longer use, but you could use dark felt, dark paper, you just need something that is dark and plain - you could buy a cheap black pillowcase, or use more of the brick print wallpaper if you have enough left
(6) Optional extra - if you have ever ordered rolls of plain background paper, you will recognise this cardboard square tube - it is perfect for a finishing touch, but not essential.





Step 1



Place double sided tape around all edges of your box, including inside the top.


Step 2

Peel off the tape on one side of the box at a time and cover with your brick wallpaper, wrapping over the top lip and securing on the inside.  I made sure the edge of the wallpaper lined up to the edge of one side of the box and then trimmed the excess from the other side.



If you have enough wallpaper, remember to line up the mortar lines at each edge of the box.



Double sided tape gives you a mess-free smooth finish.


You might choose to leave your box like this, but I don't like seeing the bare cardboard on the inside, so now I will show you how to finish the inside.





Step 3

Using your hot glue gun / PVA glue cover the inside of your box with your dark fabric / paper.  You only have to cover 3 sides as you will never see the inside of the front of the box.




You also don't need to fully cover all the way to the bottom on either side if you are short on fabric / patience.




I think this looks much neater, and again, you may want to leave your box like this.

Or you might want to give the outside a finishing touch


Step 4



All I did was use the same fabric to cover cardboard from the square tube which was the perfect width and then glued around all edges.


Weight the bottom of the box, place a cushion inside if necessary and sit your child inside!








Use fake snow / wadding around the bottom











Use one of my Christmas rooftop backrounds behind your chimney!





View all my Christmas Backdrop Designs here 

I hope you enjoy this tutorial and perhaps have a go at making one for your photography studio - if I can do it, you definitely can!  Please show me any images you take!