Thursday 22 October 2015

Woodland Crown and Leaf Skirt Props for Fine Art Photography Workshop

I honestly can't remember how it came about that I ended up making a woodland crown for Gary Hill and Cass Davies of JustPose for one of their Fine Art Photography teaching workshops.

I do however remember the looks my husband gave me when I told him I was going to make a prop from the pile of hedges he was currently hacking down in the garden.




Sometimes when you have something in your mind's eye, you just have to go with the flow, and although it didn't really come out as I had envisaged, I think you'll agree, as a photography prop, the Woodland Crown I made is pretty dramatic!










Behind the scenes


Gary even took it one step further and edited it in PS to look like a fire!




(The head-dress is nothing to do with me, but I'm told it came from that good old online auction site!)

After that workshop, Gary and Cass got in touch to see if I had any more creative suggestions for their next date.

After bouncing around a few ideas (which I won't reveal in case they ever come to fruition in the future!) I had a strong vision of a girl appearing to grow out of a pile of leaves.

Using some fabric from my stash, I machine sewed on almost 400 fabric leaves on to a wraparound skirt.




I think it's fair to say, I was pleased to get it finally finished!




I also made a leafy tieback.




During the day of the workshop I was sent some behind the scenes phone pics and knew I couldn't wait to see the edited images.



Behind the scenes





I would love to create something for their next workshop, but will maybe think twice about offering to make a leaf skirt again!

For details of future Just Pose courses, please visit their website

Monday 12 October 2015

How To Make Paper Pinwheels

Paper pinwheels are so easy to make and add a touch of simple elegance if used as a backdrop during photoshoots.




You will need

Sheets of coloured paper - doesn't have to be card, photocopying weight paper is fine.
Glue gun or strong paper glue





Step 1

For large pin wheels, fold your paper landscape, for small size, fold it portrait.

Fold your paper into a concertina - you do not have to be too accurate.
I had folds roughly 1 inch in size.





Step 2

Fold your concertina in half, and glue in the middle





Step 3

For a fuller pinwheel, make 5 "quarters".
I used 5 for the large size and only need 4 for the small size




Step 4

Glue your "quarters" together




Hang them by cotton from the ceiling, or stick to your backdrop.  Or if you really don't have the time, you could always order my backdrop where I've done all the hard work for you!





Friday 9 October 2015

Interview With Sally Slack Photography

If you are in the UK and photograph newborn babies, there's a 99% chance you know Sally Slack for selling her range of newborn wraps.




Not only does  Sally create beautiful photographs, she is also an Ambassador for BANPAS (Baby and Newborn Photography Association), which is a membership association for newborn and baby photographers that I co-own.

I asked her to lift the lid on how she chooses and uses props in her photography sessions...

Do you have a favourite colour you look for when choosing props?
I do love natural more earthy colours, I'm not someone who gravitates to bright colours anyway. Creams and heathers are some of my favourite colours for girls, and for boys I love greys and blues.


Are there any colours you tend to avoid in your sessions?
Anything bright. Unless a client asks, in which case I’d used a natural colour backdrop and a brightly coloured wrap for a pop of colour. Mainly though, clients book me for what they see on my website.


Do you prefer one kind of prop over another? I love them all, some of my favourites are the props that I have knitted. But mainly I love a wrap, you can’t beat it for an unsettled baby!


How many times would you use the same prop before consigning it to the back of your prop stash?
I would use a prop until I got bored. I sell a lot of my old props through my store.


How important is the price of a prop to you? 
I don’t care about price, if I love it and it’s good quality I will buy it. My clients pay a session fee so if I want to re-invest that money in new props I will do. In my opinion it’s worth paying for good quality. I wouldn’t want to ruin a lovely image with a cheap looking prop.


How important is it to you that a prop is one of a kind and unique to you? It’s not important to get one of a kind at all. It’s the way you use a prop and style for an image that’s more important. You could give the same prop to half a dozen photographers and they would all come up with a completely different image.


What do you look for when sourcing props? 
Good quality.


What has been your best bargain? A flokati rug in TKMaxx.


And what has been your most extravagent purchase? I knitted a snuggle sack and hat out of hand spun wool I imported from Canada, I’m too embarrassed to tell you how much it cost…. But it was worth it! 


Do you have a favourite age to use props on?
I love props on any age. I’m gradually building up a collection of props and knitted pieces for older Children and I have some lovely props I use for cake smash shoots.


Can we see some photos of your prop storage area and studio?


Do you have any tips on using props in photography?
The image should always be about the baby not about the prop. Sizing is crucial, sometimes when I have a splurge and buy props I’m often disappointed to see that hats are often too big for newborns. This is why my stash of older children props is gradually increasing.


How do you decide what props you are going to use in each session? My clients fill in a form and I ask them to tell me anything they are particularly looking for from their shoot, I also discuss colours and prop options when they arrive. Mainly though I just get on with it.


Do you have setups already in place or do you chat with your clients beforehand? I normally do four set ups. My beanbag is put on a backdrop and floor so once I have finished beanbag poses the floor and backdrop are already set up. Parent shots are against the backdrop and then Flokati shots are set up while parents are there.


What is your absolute most favourite image in your portfolio and why?
That’s hard and changes on a weekly basis. Some of my most favourite images are awake shots. Which does make me laugh as we spend all that time getting the babies asleep. But I love shoots when babies have an awake time and are alert. Other favourite images include Newborns that I have photographed through out their first year. Other times I like an image simply because I struggled to get a pose right and I’m happy because I’ve finally nailed it! I love that feeling!

Sally won first place in the September BANPAS showcase 
as voted for by other BANPAS photographers

What advice would you give to someone just starting out in the area of newborn photography
The best investment I made was to invest in quality. The one thing that I use every shoot without fail is a wrap. It helps the baby drift into a deeper sleep once they are swaddled. The other thing is to invest in decent machine washable backdrops if you are doing bean bag poses.


Which photographers influence you? Whose work do you love?
The main photographers that influence me are some of my close friends. I like to have people around me who will be honest with feed back and tell it to me straight. I think I’ve learnt most from those friendships. I’ve have also been fortunate enough to train with a couple of amazingly talented US photographers. To be honest I try not to follow anyone, I’m jut trying to do my own thing and work on my own images. I like to take what I can from training and put my own stamp on my images. I think following people can be hard, because what you forget is they only post their best work and it can in some ways affect your confidence if you don’t remember this. They are all human - even the “greats” have bad days too!

Any advice you can share about using wraps?
I learnt to wrap mainly from you tube, I watched 100’s of video on wraping and just gradually became more confident. All the information is out there, you just need to look for it. The trick is to have a baby that’s relaxed and use a double layer. My first layer wrap is generally a mess, the second wrap will then cover everything and make it look pretty!


Visit Sally's website to see more of her images, and to order wraps

Monday 5 October 2015

Interview With Russ Jackson Photography

Russ from Russ Jackson Photography is a huge influence to a lot of newborn photographers here in the UK, and as well as running his very busy portrait studio, he also offers training to photographers of all levels (see here for more information)



I interrupted his holiday recently to ask him to give us an insight into how he uses props in his work

Do you have a favourite colour you look for when choosing props? 
Anything natural, I am a real sucker for organic textures and natural colours so tend to stay away from the brighter bolder colours. I am a big fan of using darker backgrounds just lately.





Are there any colours you tend to avoid in your sessions? 
I try to avoid reds, oranges, bright pinks, purples and bright blues anything that is not a nice pastel organic colour really….




Do you prefer one kind of prop over another?
I find tiebacks much easier to use than headbands. I have some rompers and trouser sets but don’t tend to use them as much as I should. I really believe that we should focus on baby so try to not accessorise too much!




How important to you is it that your props are one of a kind?
I think it is nice to have something unique but if it isn't I am still happily buy it if it fits my style and is well made.



How many times would you use the same prop before consigning it to the back of your prop stash? 
I have some props that are years old. My customers choose the props during the session so as long as it keeps getting picked it will stay in the studio.





How important is the price of a prop to you?  
Well it depends on how awesome it is! The most important thing for me is that it is very well made, fits our style and looks amazing!





What do you look for when buying props?
Quality, and a fast turn around and delivery.




What has been your best bargain?
My old kitchen scales! A car boot bargain at £2.50! (wow! That IS a bargain!!)



And what prop have you spent the most money on?
A newborn nest from the U.S. I think that cost well over £100 with delivery.





Can we see some photos of your prop storage area and studio?







Do you have any tips on using props in photography?
Keep it simple…we are photographing babies so the baby should dominate the image….. Always try to compliment your colours and textures.




How do you decide what props you are going to use in each session? Do you have setups already in place or do you chat with your clients beforehand? 
I always let my clients choose the background colours, props and accessories. We love everything in our studio so they can never really choose a prop or accessory that we don’t like. We obviously ‘steer’ them in the right direction as far as matching the colours and textures. Many of our clients will just let us choose what we feel is best, we love that!





What is your absolute most favourite image in your portfolio and why? 
I have so many but I love this one.
It is quite an elaborate setup but even so the baby is still the absolute focus of the image. I love using dark colours these days.




What advice would you give to someone just starting out in the area of newborn photography?
I don’t think you have to go mad when you first start off. We have sooooo many props we bought and now look back on and say “what were we thinking!?’ Start off with a small selection of props that you love and then slowly build up your collection.
Buy quality items. You always get what you pay for. If it is cheap it will look cheap in your images. To save a few pennies when looking for props to pose babies in (baskets, boxes etc..), go to antique fairs and not to high street antique shops. Car boot sales are amazing places to pick up the odd treasure.





Which photographers influence you? Whose work do you love?

Kelly Brown is perhaps my biggest inspiration but I also love Kelley Ryden, the girls at Baby As Art, Jade Gao (Newborn Photography by Jadeand Elisa Stambouli at Littlepose.


Thank you Russ for your time - and thanks for introducing me to some new photographers whose work I hadn't found before